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Also in the house, with even more cash to kick in, should it become necessary, is Bond's longtime CIA buddy, Felix Leiter played by yet another new actor in the role, Jeffrey Wright.

The Ugandan rebel leader turns up again, too, and he's pretty miffed about his missing money. Bond cools him out in a rousing machete-fight scene in a stairwell.

I have only skimmed the surface here. There's also an extended and fairly harrowing torture scene which is right out of the Fleming book and very hard on Bond's nether extremities.

Eva Green is certainly beautiful, and she's a good actress, but she lacks a certain, uh, vividity. More problematic is Mikkelsen's Le Chiffre, a rather underwhelming villain.

He has a scar over one eye, and he sometimes weeps tears of blood for no pertinent reason , and he occasionally snorts from a metal inhaler Benzedrine in the book; contents unspecified here.

But throughout the movie, he fails to be really menacing. Daniel Craig, however, anchors the picture with steely charisma.

He doesn't seem like a new Bond; he seems like a whole new character — which is not a bad thing. Take away all the trappings, and what you'd still have here would be a top-flight action flick.

Not completely; not yet. But Craig has taken the franchise off life-support, and it'll be interesting to see where he goes with it from here.

A sequel's already in the works. The Dark Side of the All-American Meal," into a best-seller may be disappointed by the movie that director Richard Linklater has turned it into.

And critics — who found the book filled with attitude and agenda — may be surprised by how relatively innocuous the picture is at least until the horrific conclusion.

The book, which is documentary in nature, might have worked better as a documentary film. But Linklater and his co-scriptwriter, Schlosser, have structured the material into a multi-level drama, teeming with characters who are loosely interrelated within a collection of linked stories.

In the beginning, we see a group of Mexicans being walked through the sweltering desert and, illegally, across the U.

There, they work at soul-deadening minimum-wage jobs slaughtering cattle and manning the conveyer belts that bring hacked meat and bloody guts streaming out from the killing floor.

These jobs are so exhausting, and the verbal and sexual abuse to which the employees are subjected by a vicious shift boss named Mike Bobby Cannavale is so demeaning, that some of the workers are driven to take amphetamines in order to keep going or, in the case of female employees, to have sex with Mike in order to keep their jobs.

I mean, "Mickey's" — whose executives have discovered that the meat they're receiving from the Cody plant is contaminated with "fecal matter.

Tony is a man who feels that he has realized the American dream — by dint of hard work, he now owns his own fast-food restaurant.

And he wants to promote Amber, telling her that she, too, can work her way up in the Mickey's hierarchy.

But Amber is having second thoughts about the business she's involved in. She has taken up with a group of student radicals among them first-time screen actress Avril Lavigne, playing a girl named Alice who are determined to strike a blow against the UMP plant, which is surrounded by huge pens filled with cattle.

Amber suggests the students cut the fences, shoo the steers out and "let them wander free. As an indictment of the fast-food industry, the movie seems to miss its target almost completely.

Responsibility for the unlawful hiring and exploitation of illegal immigrants, and for quality-control meat inspection, belongs to various arms of the government, like the departments of Labor and Agriculture and the INS.

When the management of Mickey's detects contamination in its beef, it doesn't just ignore the information, it sends Don to check it out.

Similarly, collusion between politicians and the meat-packing industry to circumvent health standards something alluded to in the film is a matter for prosecutors, not burger-makers unless the burger-makers are complicit.

And anyone who thinks the use of energy-boosting drugs is exclusive to overworked meat-packing employees has probably never known a long-haul trucker.

Ultimately, the movie's objection to fast food seems mainly aesthetic — how can people eat this awful stuff?

The film portrays fast-food consumers as witless hicks, and its showbiz condescension is sometimes breathtaking. In one slumberous scene, Amber's Uncle Pete Ethan Hawke recalls when the first Mickey's opened up in town, and how cool everybody thought it was.

But then, he says darkly, came the deluge: True, these are businesses rarely patronized by filmmakers, actors and other well-heeled celebrities, but coming from Pete, a blue-collar guy who might be expected to appreciate their low prices and convenience, such castigation rings tinny.

Le Chiffre then goes to the casino Royale-les-Eaux in an attempt to replace his lost funds. Bond bests Le Chiffre in a game of Chemin de Fer , taking all of his money.

Le Chiffre kidnaps Bond's love interest , Vesper Lynd , to lure Bond into a trap and get back his money.

The trap works, and Le Chiffre tortures Bond to get him to give up the money. Le Chiffre's death is seen by the Soviet government as an embarrassment, which in addition to the death and defeat of Mr.

Le Chiffre is a secondary villain in the satire and appears in one of the few segments of the film actually adapted from Fleming's book.

With no other option, he returns to the baccarat table to try to win back the money. Later, he encounters baccarat Master Evelyn Tremble , who has been recruited by Bond to stop Le Chiffre from raising the money.

Le Chiffre attempts to distract Tremble by performing elaborate magic tricks, but fails to prevent Tremble from winning. Afterwards, he arranges for Tremble to be kidnapped and subjects the agent to psychedelic torture in order to get back the money.

Noah, shoot him dead. Believed by MI6 to be Albanian and officially stateless , Le Chiffre is a financier of international terrorism.

In the video game version of Quantum of Solace , it is said that his birth name is "Jean Duran", in the MI6 mission briefings. A mathematical genius and a chess prodigy , his abilities enable him to earn large sums of money on games of chance and probabilities, and he likes to show off by playing poker.

He suffers from haemolacria , which causes him to weep blood out of a damaged vessel in his left eye. As in Fleming's novel, he dresses in immaculate black suits and uses a Salbutamol inhaler, here plated with platinum.

Le Chiffre is contacted by Mr. Le Chiffre invests the money along with his other creditors' money in the aircraft manufacturer SkyFleet.

Though SkyFleet's shares have been skyrocketing, he plans to short the company by purchasing put options , and ordering the destruction of the company's new prototype airliner, set to make its first flight out of Miami International Airport.

Bond intervenes and foils the plan by killing the person Le Chiffre hired to destroy the plane. Le Chiffre finds out he lost millions and realises leaked information about his plans.

In order to win the money back, Le Chiffre sets up and enters a high-stakes Texas hold 'em tournament at Casino Royale in Montenegro in an attempt to recoup his losses before his clients find out that their money has been misappropriated.

Bond is sent to make sure that Le Chiffre does not win back the money; if Le Chiffre is bankrupt, he will be forced to turn to MI6 for asylum, in exchange for information on his creditors and employers.

During the tournament, an angry Obanno and his lieutenant break into Le Chiffre's hotel room and threaten him and his girlfriend, Valenka.

Le Chiffre, who does not object to the threatened amputation of Valenka's arm, is granted one last chance to win their money back. As Obanno leaves the room, his bodyguard spots Bond and hears Valenka's cries coming from Bond's earpiece.

Bond kills the bodyguard by throwing him over a railing, then chokes Obanno to death after relieving Obanno of his machete.

Rene Mathis arranges the blame to be placed on Le Chiffre's bodyguard Leo. During the tournament, Le Chiffre initially outwits and bankrupts Bond, who cannot get additional funding from HM Treasury accountant Vesper Lynd , who has accompanied Bond to make sure the money is used properly.

Desperate, Le Chiffre has Valenka spike Bond's drink. Bond almost dies, but, thanks to an antitoxin kit in his car, a defibrillator, and Vesper's timely interference, he is revived at the last moment and returns to the game.

During the final round, Le Chiffre's full house bests the hands of the two players preceding him, but loses to Bond's straight flush.

Le Chiffre kidnaps Vesper, forcing Bond to give chase, and leads him straight into a trap. Le Chiffre leaves Vesper, bound at the feet and hands, in the middle of the road, and Bond is forced to swerve to avoid hitting her and crashes his car.

Semiconscious, Bond is stripped naked and bound to a chair with the seat removed. Le Chiffre proceeds to bludgeon Bond in the testicles repeatedly with the knotted end of a ship's lanyard, each time demanding the password for the account into which the tournament winnings will be transferred.

Bond refuses to give in, taunting him with the knowledge that he knows Le Chiffre's clients will track and kill him.

Le Chiffre gloats that, even after he kills Bond and Vesper, MI6 will still give him sanctuary in return for information. When Bond refuses to give in, Le Chiffre brandishes a knife and is about to castrate him when he hears gunshots from outside.

The constant re-tooling of a character rooted in the s, the peeling away of his more objectionable sexual, racial and emotional attitudes in the interest of political correctness, had drained of his original, frankly abrasive appeal.

No, the real problem for the producers of the last 44 years of Bond movies was that the pictures were being supplanted by a much more intelligently-tooled product: The "Bourne" movies, starring Matt Damon.

Both "The Bourne Identity" and "The Bourne Supremacy" were superior in every way to any Bond picture within recent or, for younger viewers, living memory.

They were the work of excellent directors Doug Liman and Paul Greengrass, respectively , and they had all the classic Bond elements: So in a way, the radically revamped Bond of "Casino Royale," based on the first of the Ian Fleming Bond books from , is an act of desperation.

But while the director, Martin Campbell, and two of the three screenwriters are Bond veterans, the gamble has paid off. The new movie has none of the gleaming visual style of the original Bonds — its look is raw, and the camera-work sometimes hand-held.

There are no cartoonish super-villains, and, thankfully, none of the tiresome one-liners that littered virtually all of the post-'60s films. What "Casino Royale" has instead is Daniel Craig — an actor of commanding intensity — and a commitment to walloping physical action that finally yanks the series into the 21st Century.

Craig's Bond is introduced with no fuss in an opening scene, shot in black-and-white a nice allusion to Cold War noir , in which our man earns his Double-O number by icily dispatching a British double agent.

The movie then flits away to the jungles of Uganda, where a steely character called Le Chiffre Mads Mikkelsen is collecting suitcases full of cash from a corrupt rebel leader.

The two men battle each other up onto the bare girders of a half-completed building high above, and then down again, and then they hightail it to the "Nambutu Embassy," where Bond takes on everyone in sight before making off with the bomb-maker's cell phone, on which he finds the number for a mysterious outfit called Ellipsis.

Bond breaks into her home and extracts some highly classified information off her laptop making us immediately question her competence as an intelligence chief.

Then he's off to the Bahamas, where he learns that Le Chiffre, who has unwisely lost his dangerous clients' money on the stock market, has set up a super-high-stakes poker game to win it back.

Bond determines to foil this plan. Later, as she and Bond roll around on the carpet in his hotel suite, she says she's afraid he's just using her to get close to her shifty husband.

Solange is the traditional sacrificial Bond girl: There follows an interlude in one of those "Body World" exhibits filled with embalmed corpses, and then a gratifyingly spectacular fuel-truck chase scene at an airport, and then the big poker game, of course, which is held in Montenegro, and to which Bond is accompanied by a local intelligence agent, Mathis Giancarlo Giannini , and a tough-minded Treasury rep named Vesper Lynd Eva Green , who's on hand to manage Bond's gambling funds.

Also in the house, with even more cash to kick in, should it become necessary, is Bond's longtime CIA buddy, Felix Leiter played by yet another new actor in the role, Jeffrey Wright.

The Ugandan rebel leader turns up again, too, and he's pretty miffed about his missing money. Bond cools him out in a rousing machete-fight scene in a stairwell.

I have only skimmed the surface here. There's also an extended and fairly harrowing torture scene which is right out of the Fleming book and very hard on Bond's nether extremities.

Eva Green is certainly beautiful, and she's a good actress, but she lacks a certain, uh, vividity. More problematic is Mikkelsen's Le Chiffre, a rather underwhelming villain.

He has a scar over one eye, and he sometimes weeps tears of blood for no pertinent reason , and he occasionally snorts from a metal inhaler Benzedrine in the book; contents unspecified here.

But throughout the movie, he fails to be really menacing. Daniel Craig, however, anchors the picture with steely charisma. He doesn't seem like a new Bond; he seems like a whole new character — which is not a bad thing.

Take away all the trappings, and what you'd still have here would be a top-flight action flick. Not completely; not yet. But Craig has taken the franchise off life-support, and it'll be interesting to see where he goes with it from here.

A sequel's already in the works. The Dark Side of the All-American Meal," into a best-seller may be disappointed by the movie that director Richard Linklater has turned it into.

And critics — who found the book filled with attitude and agenda — may be surprised by how relatively innocuous the picture is at least until the horrific conclusion.

The book, which is documentary in nature, might have worked better as a documentary film. But Linklater and his co-scriptwriter, Schlosser, have structured the material into a multi-level drama, teeming with characters who are loosely interrelated within a collection of linked stories.

Do you still use aluminum foil? Quantum of Solace or Casino Royale? Answer Questions Am I ugly? My entire family never supports my desire for a nose job.

Should I do it without telling them one day? Why do all women have fat faces? Generally, why are White women considered more beautiful than Black women?

Am I goodlooking or ugly? And how old do I look? Is it possible to get surgery to fix uneven shoulders?

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